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Thread: The Best Approach to a Dancer

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    Curious Guest LaceDreams's Avatar
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    Default The Best Approach to a Dancer

    Ladies, I would like your advice please. Here goes....

    Several years ago, I visited C.R. Fanny's in Easton, Pa and saw a Dancer who went by the name "Ava". Her dancing was the best I ever saw and she was gorgeous. Whever she was called up, my full attention was to her on the stage. She was followed up by another dancer called "Velvet". I was so impressed by their performance and beauty that I wanted to do more than just tip them... I would learn that they have both left that club and I kicking myself in the butt for not getting a private dance from either one of them.

    So I ask you for advice on the following and trust me I'm not a wacko nut-job.:

    1. Other than a private dance, is it permissable to buy a dancer a drink or otherwise socialize with a dancer legitimately and not be on the recieving end of a bouncer's wrath?

    2. Is it permissible to send a card or other coorespondence to a dancer? And what is your thoughts on fan mail???

    3. How to find out when a certain dancer is working so I can score a private dance with her??

    Many Thanks Ladies!!!

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    Featured Member lopaw's Avatar
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    Default Re: The Best Approach to a Dancer

    Quote Originally Posted by LaceDreams View Post
    Ladies, I would like your advice please. Here goes....

    Several years ago, I visited C.R. Fanny's in Easton, Pa and saw a Dancer who went by the name "Ava". Her dancing was the best I ever saw and she was gorgeous. Whever she was called up, my full attention was to her on the stage. She was followed up by another dancer called "Velvet". I was so impressed by their performance and beauty that I wanted to do more than just tip them... I would learn that they have both left that club and I kicking myself in the butt for not getting a private dance from either one of them.

    So I ask you for advice on the following and trust me I'm not a wacko nut-job.:

    1. Other than a private dance, is it permissable to buy a dancer a drink or otherwise socialize with a dancer legitimately and not be on the recieving end of a bouncer's wrath?

    2. Is it permissible to send a card or other coorespondence to a dancer? And what is your thoughts on fan mail???

    3. How to find out when a certain dancer is working so I can score a private dance with her??

    Many Thanks Ladies!!!

    This really isn't rocket science, although judging by all of the recent posts like this one, you'd think it must be the most complicated social interaction in the history of humankind.


    1. Of course you can buy a dancer a drink and "socialize" with her without buying dances, but you'd better pay her for her time. She's WORKING, not socializing for the fun of it. She expects to, and should be paid for any time spent with you that prohibits her from working the room for dances.

    2. If I were a dancer, getting a card or "fan mail" would creep me the fuck out. But I'm sure that the dancers here have their owns thoughts on that that they might share with you.

    3. Many clubs post their dancers schedules online either on twitter or their own websites. Or you can give the dancer your cell # (if she'll accept it) and she can text you when she's working. Many dancers keep separate cell phones just for communicating with customers.

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    Senior Member Rileygrl06's Avatar
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    Default Re: The Best Approach to a Dancer

    Hahaha I got a letter from a customer once. He addressed it to "Riley" and mailed it to the club. I was pretty creeped out by it, but the management and I got a big laugh out of it anyways. They teased me for the next week or so. It's nice to be admired, but honestly, its a little over the top. I don't think any dancer would take you seriously if you sent her "fan mail". It comes off as desperate...unless of course the girl is just starved for attention. To me, I'm a stripper and he's a customer....its a business relationship and nothing more. Its annoying when customers try to make it into something else.

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